Collegiate Repertoire

This haunting and soulful treatment of the well-known American folk melody includes instrumental echoes of the spiritual Sometimes I Feel Like a Motherless Child which adds further depth of

The traditional American folk canon WHEN JESUS WEPT has been creatively deconstructed so that no more than two parts are in canon at any given time, with countermelodies in the other parts filling out the

The arrangement of this African American spiritual is both accessible and gorgeous. A short choral section is used for the introduction, interludes between verses, and at the conclusion, adding cohesion to

This selection combines the traditional with 21st century expression and looks to the eternal with hope and glorious musical vision. Lovely soaring lines in each vocal part create a beautiful choral

This remarkable new arrangement for SATB chorus and piano focuses on the inherent drama of the text. Each verse expresses a different reaction to its question about the Crucifixion. The piano accompaniment,

The original tune and lyrics for this piece are by William Billings and have been adapted for mixed chorus, optional percussion and piano by Gwyneth Walker. The mournful spirit of early Americana in the

This original a cappella piece by composer Mark Miller is based on the traditional text Dona Nobis Pacem. A solo singer opens with the melody, and as the choir enters the piece gradually builds,

This chorus from Brahms' "A German Requiem" is a perennial festive favorite and a standard work for better choirs in schools and churches. This edition offers the English text only and utilizes piano

Part of the extensive library of Shaw–Parker choral settings, this expressive arrangement of an early American hymn tune is handled with care and dignity.